tisdag 4 juni 2019

Narrative science (workshop)

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I was invited to give a talk at a two-day workshop that was organised by the European Research Council (ERC-funded) project “Narrative Science”. The principal workshop organisers were Mary S. Morgan (principal investigator) and Andrew Hopkins.

The topic of the workshop was "Does time always pass? Temporalities in scientific narratives" and the research project has apparently organised many such workshop; the previous workshop was "Narratives as navigational tools" (March 2019) and the next two workshops are "Scientific polyphony: How scientific narratives configure many 'voices'" (June 2019) and "Narrative science in techno-environments" (July 2019). From what I understand, Mary has hired a number of post-docs in the project and then help plan but mainly let them organise and run workshops that are in line with their and the project's research interests.

In Andrew's invitation (March), he wrote that "This will be an interdisciplinary event that will include an interesting mix of contributions from fields including philosophy, history of science, geology, biology, cosmology and others, to explore how narratives about and involving time occur in various disciplines." The reason I was invited to give a talk is of course because of our 2017 article "What if there had only been half the oil? Rewriting history to envision the consequences of peak oil".

While the workshop encompassed a broad mix of people and topics, it still felt that I was one of the more exotic additions to the workshop both due to my "odd" background (computer science, social science and sustainability) and the "odd" topic of my talk (allohistorical narratives/counterfactuals). Most people who attended the workshop were philosophers or historians and more specifically people with backgrounds in philosophy of science or history of science. Literature was also very much present in the form of a few participants with such backgrounds, through the theories that participants referred to and of course through the project itself ("narrative science"). A few of the titles of talks that were given at the workshop were "Faraday's Lines of Force and the Temporality of Serial Narration", Do we always need a timeline? The roles of temporal sequence in art narratives and science narratives", "Narratives in scientific argument and explanation" and "When you can't get there from here: The importance of temporal order in evolutionary biology and ecology" If you want to know/learn more, do have a look at the narrative science project website and at the 2017 special issue about "Narrative in Science" in the journal Studies in History and Philosophy of Science.

My workshop talk was entitled "Using allohistorical narratives to envision alternative energy futures” and here's my abstract:

Everything unsustainable is possible only until it isn’t any longer. Our use of non-renewable fossil fuels (coal, oil and gas) is unsustainable but has for centuries increased both in relative and absolute terms and currently constitutes 85% of the global energy supply. We intuitively sense that the consequences of phasing out fossil fuels will be momentous, but it is hard to envision what the transition to alternative energy sources could look like since "prediction is hard, especially about the future”. We suggest that allohistorical (counterfactual) narratives can be used for that purpose and we explore a specific scenario in our 2017 paper "What if there had only been half the oil? Rewriting history to envision the consequences of peak oil”, the first in a planned series of papers about ”Coalworld”. 

At the workshop I felt like I was the "practitioner" who used (counterfactual) narratives for a very specific purpose. Almost everyone else was a "theoretician" and their talks were sprinkled with terms such as "narrative processing", "reason-giving practices", "serial narration", "narrative closure", "discursive practices", "narrative explanation" and many more such terms. Interestingly enough, someone mentioned that my talk was the only talk that concerned (also) the future at this workshop on time and scientific narratives. Most other speakers talked about and analysed historical persons and historical events, including for example competing hypotheses/narratives about "the nature of contemporary theories in evolutionary biology employed to explain the origin of eukaryotic cells" (a very long theory ago). I instead discussed the story in the paper we have written as well as the story of the paper. The latter included both the history of the paper and even further back, the motivation behind the paper as well as the future of the paper - since our paper is the first "instalment" in a planned series of papers.

My talk got a very positive reception and there were many interesting questions from the audience. Some questions were relatively easy to answer and others will leave me pondering for quite some time. It was perhaps a pity that my talk was number 11 out of 14 talks, I think I would have gotten more feedback and more out of the workshop had I presented during the first day. 

An amusing and quite embarrassing event happened when I, during a coffee break the first day, was involved in a conversation with a professor and a post-doc and the post-doc asked me what I thought of "Lewis". It turned out that there's this philosopher, David K. Lewis, who wrote the book about counterfactuals back in 1973. The title of the book is "Counterfactuals". I helped organise a week-long international workshop on counterfactuals earlier this year but none of the 20+ participants mentioned this book at any time during that week... My explanation for how this could be is that it seems that people from many different academic disciplines seems to have thought and written about counterfactuals, but I've never really met or discussed the topic with philosophers before... Also, someone else said the book was actually "boring" and that I should instead settle for reading Lewis' much shorter 1979 text "Counterfactual dependence and time's arrow" (pdf file).

All in all it was a nice workshop and I made a few new contacts that I believe I will be in contact with later! The workshop was organised by The London School of Economics but it was hosted by the Royal Institution. Here's some more background info about the workshop:


TEMPORALITIES IN SCIENTIFIC NARRATIVES

The standard view of narrative is inextricably bound up with the passage of time. Narrative scholars are convinced that time is an essential element in any narrative, and it has been thought equally essential, though treated in different ways, by philosophers of history. But exactly how to think about time in the narratives of science is not self-evident. And if we look at the way scientists use time in narratives, we see a number of different ways in which time is taken into account and is deployed. Time may be an element in the way scientists write and tell about their handling of materials, processes, practices and discoveries. Alternatively, it may feature as an element in their accounts of causes, mechanisms, interactions, and developments in their scientific materials. And it may be an important component in their theoretical and conceptual terms and discussions. Thus, there are many different sites and guises in which scientists use time in their own subject-based narratives.

In this workshop, the focus will be on the different temporalities in narratives as they occur in scientific discourses. The obvious loci for such explorations are what are generally referred to as the historical sciences, that is, those that seek to reconstruct the past, which may be very deep, on the basis of what can be observed in the present. These include geology, evolutionary biology, archaeology, cosmology and forensic science. Beyond the obvious disciplines however, time and its narrative expression are to be found in a wide variety of places, from measuring the arrival of seismic waves travelling through the earth, to the account of the lab scientist patiently waiting for a key change to occur in an experiment. Other ways of tracing time in scientific narratives might look to the “what if” questions posed in counterfactual reasoning; the ways time is rethought over a life- time; allegiances and resistances to time-based identities; and the relations of narrative to memory and myth. Throughout the workshop, the question of how essential time is to narrative will remain open for argument.

We suggest three starting points in this wide agenda:

1. Perspectival matters - does a scientist’s narrative look forward to what will happen, or backward over what has happened, or for a dynamics involving time within those materials or do they rather try to get a bird’s eye synoptic view, or look sideways at points in a chain where time just pass by on the other side? And, are the phenomena scientists study reversible, or is time itself only ever uni-directional?

2. Routine matters - does a scientist regularly observe their materials at a specific point in time, observe at the beginning and end of some event, or try to capture the moving process of a phenomena? And equally, do narrative representations of their phenomena repeat certain intervals, or work to different rhythms and rulers.

3. Time matters - Does time really or always matter in a science narrative. Is it instead a place holder for something else that is substantive (such as development, a change process, or a regularity), or else not really very important in terms of the coherence and credibility of a narrative where other ‘rulers’, such as spatial or subject- relations, rule? Does time structure a scientist’s narrative or does the narrative provide the argument, structure or logic in which time appears?
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torsdag 25 april 2019

From Homo Sapiens to Homo Colossus (application)

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Project partners in our Formas Communication application, 
"From Homo Sapiens to Homo Colossus: Visualising our energy footprint"


Half a year ago I wrote a blog post about the fact that we received seed money from KTH (80.000 SEK) for a small sustainability-related project, "Homo Colossus In Real Life" (HC-IRL). The idea was that the money would be spent on a fact-finding mission with me doing the heavy lifting:

"I will personally do the major part of the work in the project [and] the other three members of the project (Mario Romero, Per Hasselberg and Åsa Andersson Broms) will function as a reference group/steering committee for the project (e.g. for me). We will meet regularly (once per month?) during 2019 and I will work with small fact-finding missions in-between these meetings."

This hasn't really happed yet. The four people who are engaged in the project have instead met regularly and talked and planned what will or what should happen in the project "later".

That has all changed as of lately. I got a tip from a colleague about a grant from the funding agency Formas. It is interestingly not a call for research projects but rather a "Communication Call" - a call for communication projects. Formas does not distribute a huge amount of money through this call (as research grant calls go), but they do fund smaller and medium-sized projects that "communicate and popularize research and research results about sustainable development".

It is not very strange that it's a requirement that each application/project has a project manager but it is definitely more unusual that "One of the project participants must have a degree or training in communication or equivalent experience [and] At least one researcher with a doctoral degree must be part of the project team". The call is also different fram and a lot freer than ordinary research grants since "Different types of communication projects may qualify for funding, including popular science seminars, publications, games, exhibitions, video productions, digital productions, or other popular science activities that communicate sustainability research."

To apply, we needed to expand our science + art project into a science + art + communications project and find a bona fide communications person who could join us. I have to that end recruited the excellent Belinda Hellberg to be part of the application besides the two researchers (me, Mario) and the two artists (Per, Åsa). I have known Belinda for 10 years or so but we have never worked together before. I have however previously invited her to give guest lectures in my sustainability course and also to be part of our concluding panel debate in that course.


Despite the fact that the text in the application itself is relatively short (9000 characters), we have spent a substantial amount of time during the last month "projectifying" our ideas about Homo Colossus in order to shape them into a three-year project that we would like to work on and that we think would be of interest to Formas to fund. Our project is called "From Homo Sapiens to Homo Colossus: Visualising our energy footprint" and we have also managed to recruited a bunch of interesting project partners (see the image above). Despite the fact that we have applied for the maximum amount of money that is possible (1.9 MSEK), that turns out not to be very much when it should last for three years and be divided between five persons. Our ambitious project just can't be accomplished if not for the fact that me and Mario have the possibility to recruit bachelor's and master's students every spring who will write their theses while working in/for this project. We think we can do that and we have also set aside enough money to pay some of these students to spend time working on the outcomes of their master's thesis projects so that the results can become more useful for us/the communications project. I think we can make this work and the project itself is super exciting. Here's the popular 2000-character summary of the project:

"This application proposes a four-step communication strategy to convey an understanding, both public and personal, of the energy footprint of Swedes from different walks of life. First, KTH, KKH and The City of Stockholm will investigate where to place a number of art installations in the city. Second, the project will create and release a smartphone augmented reality application to interactively enhance the physical art installations. Third, the collaborators will produce and distribute a publicity campaign over social media and other popular channels aimed at engaging the general public with the installations and the mobile app. Finally, in collaboration with Tekniska Museet, the project will curate a temporary exhibit at the museum, allowing its audience to explore the issues of energy footprints further.

The art installation will convey the concept of typical Swedes’ energy footprints through a thought experiment. The starting point is that the bigger you are, the more you need to eat. But what if we included not just calories from the food we eat, but all the energy we “consume” in our daily lives, such as the fuel that powers our vehicles, the hot water that heats our homes and the electricity that illuminates our cities and powers the Internet? How big would we be? Through careful models, we calculate that the average Swede would weigh 20 000 Kilos, or three times more than the largest elephant!

The idea of us being as big as our energy footprint is called Homo Colossus. The project aims to convey it through art, augmented reality, and a museum exhibit and by interactively visualizing the energy size of Swedes from all walks of life; from the poor single mother who struggles to make ends meet to the executive who flies several times per week. What do we look like through the lens of our energy footprints? We invite curious minds of all ages to explore this question through our public, interactive, artistic, technical installations."

The application itself had to describe the project through three different lenses (with at the most 3000 characters for each of the three parts): 1) societal relevance and research quality of the project, 2) communication activities, target groups and communication channel and 3) communication plan and competence. I choose to reproduce the last part below as it specifies what it actually is we will do during the next three years, should we get the money we have applied for:

"This application brings together unique competence in the form of research (Pargman, Romero), artistic (Andersson Broms, Hasselberg) and communication expertise (Hellberg) in a project that combines sustainability research, scientific visualisation and artistic/aesthetic expression. The project group has an even gender balance. The project utilises a number of innovative solutions to communicate knowledge about sustainability research through public art, Augmented Reality (AR) and a museum exhibition.

The project communication officer, applicant Hellberg, will manage project communication channels. This includes information dissemination, e.g. creation and management of a project web page, PR, press releases and contacts with journalists and the sustainability and art community during year 3. Communication channels also include “engagement”, e.g. creating Facebook and Instagram project accounts and regularly posting content there during year 3 (See Appendix 2 for further information about the communication plan).

The project can be divided into three phases:

  • Year 1: Research & Development. ​Research on how to adapt/represent the Homo Colossus concept through a pool of personas. Development of the AR infrastructure.
  • Year 2: Testing & Adaptation. ​Small-scale testing, evaluation and redesign of AR, adaptation of AR experience to artistic/aesthetic sensibilities, building sculptures.
  • Year 3: Roll-out. ​Deployment of sculptures and release of AR app, scale-up of communication activities, museum exhibition and large-scale longitudinal evaluation of deployment.

The project will work closely with three different 5th-year courses at the computer science and at the media technology engineering programmes at KTH: Advanced Graphics and Interaction and Advanced Project Course in Interactive Media Technology (each autumn) and the Degree Project (master’s thesis) in Computer Science and Communication, specializing in Interactive Media Technology (each spring).

This project will afford opportunities to further KTH students’ education through performing original research in advanced project courses and in the subsequent master’s theses. Applicants Pargman and Romero will make sure that one or two project groups will work with project-related questions in each (autumn) project course and will then recruit talented students to do their master’s thesis in the project (spring). Students who perform excellent thesis work will be offered the opportunity to continue to work in the project over the summer or during the following autumn (salaried by the project). KTH students will also work together with Andersson Broms’ students at the Royal Institute of Art (Kungl. Konsthögskolan) in their one-year course Materialities where students (who are active artists) explore computer visualization, 3D techniques, Augmented, Mixed and Virtual Reality, moving images, soundscapes, photogrammetry, projection mapping, photography etc."


Comment: This blog post was written at a later point in time and has been back-dated.
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fredag 1 mars 2019

The cloud devours electricity (radio interview)

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I was on Swedish radio yesterday, in the weekly science/sustainability show "Klotet"(The Globe). The theme of this episode was The cloud devours electricity - can we store data sustainably? ("Molnet slukar el - går det att lagra data hållbart?"). The show was built up around two pre-recoded reportages and they also had two invited guests who commented and discussed the intersection of on the one hand computing and social media use and on the other hand sustainability. Besides me, the other guest was professor of Communication Systems Erik Agrell from Chalmers University of Technology in Gothenburg. I had to go to Uppsala to record the show so it took half a day (plus preparations!). The chat/interview with me and Erik took an hour but was later cut down to 20 minutes or so.

Sustainability in this context primarily means energy use and related carbon emissions, but it could also include material throughput (us buying and throwing away gadgets or data centers buying and throwing away servers). I took the partly unspecific and unstructured questions I got sent over by mail beforehand and structured them a bit so here's what they wanted us to comment/talk about:

- On the electricity consumption of data traffic in relation to sustainability:
   - Is this a big problem now and/or in the future? If so, how do we solve it?
   - Do people need to change their behaviour (just as we need to change how we transport ourselves etc.)?
   - How far can (future) technical developments take us?

It just so happens that I am giving a ph.d. course this term (together with my colleague Miriam Börjesson Rivera) and several of these questions relate to issues we discussed at the previous seminar or that we will discuss at the next seminar. So I prepared by leafing through paper I had just read and by reading papers we will discuss at our upcoming seminar so that was pretty convenient.

I knew that the focus of both the radio program and that of Erik Agrell would be on technical challenges in terms of how much the data traffic grows each year (≈ 25%), how much global electricity generation grows each year (≈ 3%), how much technical developments on energy efficiency might counteract such trends etc., so I decided to try to open up the discussion to take into account also other factors instead of focusing only on such technical factors (which are not my forte). This part of my argument primarily builds on the arguments made in this 2016 paper:

Preist, C., Schien, D., & Blevis, E. (2016). Understanding and mitigating the effects of device and cloud service design decisions on the environmental footprint of digital infrastructure. In Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems (pp. 1324-1337). ACM.

Priest et al. talks about "the cornucopian paradigm" where:
1) "Effectively, the provision of digital services to high-end users stimulates latent demand in mainstream users for such services".
2) "The mainstream users then pick up devices and services which were formerly high-end, and they become embedded in everyday practice. Services that most users were happy without become essential to everyday life for the majority of the populace in developed countries."
3) "This results in a reinforcing feedback loop encouraging growth of the digital infrastructure."

A growing digital infrastructure then enables the design of new high-end services that later/again makes increased demands on infrastructure (and so on). This is succinctly summarised by an image in their paper:


The paper also has a long list of design principles that drives the increase in infrastructure demand that I found useful when I exemplified and pretended that I used a GoPro camera to record the daily commute to my job. Such a video stream could be automatically backed up to the cloud and I might also make "unreasonable" demands at a later point in time, for example assuming that I will have instant access to this video stream and can choose to share it a year later when I'm on vacation in Antarctica (filmed in high-definition video of course).

Basically I wanted to emphasise that the infrastructure does not grow autonomously but rather because new technical possibilities (increased storage, increased bandwidth, new capabilities and features in the electronic gadgets we buy and in the software that runs them) creates the possibilities for developing new high-end data-intensive services and because we as users are quick to pick up those services and incorporate them into our behaviours and into our lives. This line of reasoning problematises and opens up discussions about our behaviour. Are there limits to our needs (or our "needs", e.g. wants)? We only have 24 hours per day, but we can replace less data-intensive practices with more data-intensive practices, including but not limited to using more than one device/service simultaneously.

This line of reasoning analyses the problem, but a second article starts the discussion about what to do to "solve" this problem. That article is written by Kelly Widdicks and me and it's currently in review. It's a kind of continuation of an article we wrote together a bit more than a year ago, "Undesigning the Internet: An exploratory study of reducing everyday Internet connectivity". That paper was written together with yet three more persons and it was presented at the Fifth International Conference on ICT for Sustainability (ICT4S) in Toronto a bit less than a year ago. The new, just-submitted article that we are writing, "Breaking the Cornucopian Paradigm: Towards Moderate Internet Use in Everyday Life" has just been submitted to this year's (upcoming) workshop on Computing within Limits. Borrowing from another area, here then is the line of reasoning I made in the radio show:

We should all switch to buying ecological food, but it costs more so many people don't. It could however be the case that many buy ecological food not in order to "save the environment" but because they believe it is more healthy for themselves and because they care about their children's health. So these two motivations pull in the same direction and it might be that the latter (health) has more pull than the former (sustainability).

It might similarly be an uphill battle to try to convince people to use their phones less in order to "save the environment", but there might exist strong non-sustainbility reasons for why we should think about tempering our use of electronic gadgets and these drivers could also have beneficial effects in terms of sustainability - so we should explore which they are. We have four examples (reasons) in the paper but I'll just mention one here and that is "Relationships". It might be beneficial for our close relationships if we put our phones/gadgets away more often; We might ban them from the second floor in the house (where our bedrooms are) or from the dinner table (to encourage unmediated face to face conversations). Some schools have "smartphone hotels" where you park your phone, perhaps we should have smartphone hotels also in our homes? Perhaps "parental controls" should be extended to cover the whole family's use of electronic gadgets in the home?

I also cursorily raised the questions of etiquette in the radio show. There are etiquette rules in many different areas of life but few around our use of electronic gadgets. Perhaps we should speed up the invention of such rules? For a fascinating take on the evolution of etiquette, do see my blog post about Norbert Elias' (1939) book "The Civilizing Process",  a book that in detail analyses the evolution of etiquette rules over centuries (do also look the quotes further down in that blog post).

All in all it was fun to be on radio. I also thought a bit about what I could have done different so that my next appearance on radio will be better. Lastly I also suggested two other topics for radio shows so don't be surprised if I write a new blog post about my next appearance on radio a year or so from now.
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måndag 21 januari 2019

Decreased CO2-emissions in flight-intensive organisations (application)

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I just submitted a research grant application, "Decreased CO2-emissions in flight-intensive organisations: from data to practice", to the Swedish Energy Agency in response to their call "Contribute to the creation of a transport efficient society".

The application is written together with my colleagues Elina Eriksson, Björn Hedin and Jarmo Laaksolahti but it is also written with our new collaborator Markus Robért who works at the Department of Sustainable Development, Environmental Sciences and Engineering at the KTH School of Architecture and the Built Environment. We got a tip-off some time ago to get in touch with Markus through Göran Finnveden who is vice-president for sustainable development at KTH, and, our collaboration with Markus has great promise. This application builds on work Markus has pursued for more than a decade, but it takes his work in a direction that he himself might not have thought of. Also, Markus is just one person but now he gets help from four others to take "his" research to the next level. To us, it's instead a great opportunity to explore an area we are interested in by cooperating with and building on work that someone else has already done for more than a decade.

The application has an abstract and while the abstract is correct, it does not really succeed in capturing what we feel are the most exiting and interesting aspects of this project:

Decreased CO2-emissions in flight-intensive organisations: from data to practice

In flight-intensive organizations, many employees travel both frequently and far - resulting in large CO2 emissions. At management level, there is often an awareness and a willingness to change, as expressed for example through internal climate goals. But at those levels in the organization where concrete decisions are made about when, where and how to travel, there is a lack of awareness and tools to manage these challenges. In this project, we will create and test practical tools to reduce travel-related CO2 emissions, thereby moving from words to action. By using a structured method in combination with analog and digital tools, the project will take stock, visualize, design, plan and mediate negotiations about departmental and individual CO2 emissions and the results will be followed up regularly. The project aims to give flight-intensive organizations greater opportunities to reach or exceed climate targets, thereby contributing to an energy-efficient and sustainable future.

Markus has developed a process management tool called CERO that is used to track and help organisations reach their emission targets (typically to reduce their emissions by 10-20% in a few short years). CERO is being implemented in a large and growing number of companies as well as in Swedish municipalities, counties and regions. One organisation that Markus works with is in fact KTH and he therefor has massive amounts of data about our travel and carbon emissions (delivered directly from our travel agency). KTH the goal of reducing its CO2 emissions by 20% between 2016 and 2020 and has contracted Markus/CERO to help make that happen. KTH is a tough case though as almost all (90+%) of our CO2 emissions from travel comes from flying. While Markus currently works with a top-down process, it's very hard for KTH centrally to have a say in the travel habits of different departments and individual researchers - and that's where our application enters the picture:

We will in this project use a CO2 currency and a workshop methodology to reach departments and individual researchers and encourage them to reflect on how they should proceed in order to reduce their travel emissions - without compromising the quality of their research.
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Our process will make it possible for individuals to place their own travel in a larger context and it also focuses on equality and justice by implicitly or explicitly asking questions of the type "Who flies?", "How much?", "Who will reduce his/her flying?" and "How can this happen?".

There are several things that are neat about this application. One of them is that Markus runs an annual symposium for the 80-ish organisations that currently uses CERO. It's a lot of work for him to organise the symposium alone, but we can help him out and this project would of course be part of the program during the three years that it would run. Another neat thing is that besides presenting the results of the project in (open access) journal articles, we have pledged to only present the results at conferences that we can attend without flying there. That's a first for me and it basically means that we will only present it in Europe (and preferably mid- to northern Europe at that).

If there ever was an application where it felt like we hit all the marks, well, then this is it. We were definitely on a high as we handed in the application. The Energy Agency will hand out funds for at least 10 projects and we have so much faith in our application that we were confident there just can't be 10 other applications that are better than our. We hope.
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måndag 31 december 2018

The Future of Computing and Wisdom (article)

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I wrote a blog post some time ago about a workshop we organised at the NordiCHI 2018 conference (Oslo, end of September), "The Futures of Computing and Wisdom". Quick recap:
- The organisers were Daniel Pargman, Elina Eriksson, Rob Comber, Ben Kirman and Oliver Bates.
- The participants did not know it beforehand, but the workshop was set up so as to generate material for a journal article.
- The planned article was to be submitted to one of three special 50th anniversary issues of the journal Futures (theme: "Wise Futures").

Well guess what, I submitted that article, "The Future of Computing and Wisdom: Insights from Human-Computer Interaction" through publisher Elseiver's clunky submission system just a few short hours before the deadline on December 31, 2018 (happy new year!). On the way - between the workshop and the finished article - we picked up two additional co-authors who attended the workshop and who were interested in contributing and the finished article. Here are the authors of the just-submitted article:
- Daniel Sapiens Pargman, K​TH Royal Institute of Technology
- Elina Eriksson KTH Royal Institute of Technology
- Oliver Bates Lancaster University
- Ben Kirman, University of York
- Rob Comber, KTH Royal Institute of Technology
- Anders Hedman, KTH Royal Institute of Technology
- Martijn van den Broeck, Umeå Institute of Design

Our article breaks some of the conventions for scientific articles since this is what the Call for Paper asked for/specified:
- This call invites reports from collaborative dialogues on responsible futures. In this case, the dialogues should attempt to articulate normative futures in 2068; what futures should humanity strive for?
The call [...] invites reports of dialogues on the futures of wisdom, i.e. what might be considered responsible and wise in 2068, and why [emphasis in the original call].
- The main outputs to be published in this theme are structured reports on conversations. These will be edited accounts of dialogues between people.
- For these dialogical contributions rapporteurs will be the corresponding author of reports. Significant contributors to the particular dialogue (e.g. 20% or more) can be named as joint authors. 

So papers for this special issue have "rapporteurs" rather than "authors" and the main contribution of these papers isn't that they report on an experiment or provide a sharp analysis of some social phenomenon, but rather that they constitute a "structured reports of conversations" about the futures of wisdom. This presented us with a challenge as none of us (naturally) had written such report before. A paragraph in the call gave some hints about this new genre ("structured reports of conversations") and what was expected from us:

Dialogue contributions
The aim is to produce a series of dialogues that are well-informed and well-reasoned, rather than rhetorical polemic with single dominant voices. Dialogues should be explorative of normative images of 2068, recognise points of agreement and recognise points of difference. We do not seek consensus, nor battles to be won. As with all publications in Futures they should contribute new knowledge to our understanding of the future and our relationships with the future. Thus clarity of ideas and reasoning and contribution to knowledge will be the main acceptance and editorial criteria. Diversity of participants and imaginaries is encouraged to offer voices to those who, in the language of the UN Sustainable Development Goals, will be ‘left behind’. Unlike more traditional academic papers, discussions of a range of extant literature and methodologies etc. are not required, except in as much as they form part of the context setting and explicit argumentation in the dialogue.

With this in mind, we wrote a paper that presents the main tool we used at the workshop to critically  think about the future, namely fictional abstracts or "abstracts of yet-to-be-written research papers that will be published in 2068". Each workshop participant wrote a fiction abstract and they together discussed various aspects of future wisdom in the context of computing and all nine fictional abstracts are available here. The results part of our paper builds on our workshop discussions and presents our thoughts on a number of themes "that have been extracted both from the workshop discussions as well as from the fictional abstracts themselves". These themes are:
- What is wisdom?
- Where is wisdom, and how do we build and transfer it?
- Human++ [about enhanced humans]
- Time and Acceleration
- Beware and Rejoice futures [what we hope for and what we fear]

All in all a fun special issue and a fun project. I finish this blog post with the abstract of our paper:

The Future of Computing and Wisdom: Insights from Human-Computer Interaction
In this paper, we present a structured report on a dialogue on the Future of Computing and Wisdom. The dialogue consists of a recorded and transcribed discussion between researchers and practitioners in the field of Human-Computer Interaction that was held at a workshop in conjunction with the 10th Nordic Conference on Human-Computer Interaction in September 2018. However, the dialogue also encompasses workshop participants’ preparatory work with writing “fictional abstracts” - abstracts of yet-to-be-written research papers that will be published in 2068. The polyvocal dialogue that is reported upon thus includes not just the voices of researchers and practitioners who attended the workshop, but also includes the voices of the future researchers of 2068 who wrote the abstracts in question as well as the voices of the organisms, individuals, intelligent agents and communities who are the subjects, victims, beneficiaries and bystanders of wise (or unwise) future computing systems.
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fredag 19 oktober 2018

Homo Colossus In Real Life approved! (application)

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I handed in an application for seed money for a small interdisciplinary project to the KTH Sustainability Office's call "Environment and sustainability without boundaries" about half a year ago - but to no avail. These are truly small projects - maximum 100.000 SEK, we asked for 80.000 - and I got the decision just a month after the May deadline. Only three projects were funded and my project wasn't one of them.

The reject letter did however mention that a new assessment might be made during the autumn and I just found out that the KTH Sustainability Office had some money left over and that they are willing to fund my application! This very much seems like a case of spending all the money in the budget before the end of the year - it didn't matter that the project would be delayed but it was important that the money was payed out before the end of the year (for accounting purposes). I'm not picky though as I would really like to do this project!


I wrote about the most relevant facts of the project back in May but there have been a few important changes in the project since then:

- Due to the late decision, the project has been delayed for half a year and will now run between January-December 2019.
- KTH researcher Jonas Åkerman was supposed to be part of the project but he has now declined due to lack to time (he is busy being the co-director of the research programme "Mistra SAMS Sustainable Accessibility and Mobility Services"
- We have instead recruited Åsa Andersson Broms to be the fourth person who will work in the project. Åsa is an artist and she's also a teacher and the Royal Academy of Art.

The idea is to meet regularly during 2019 and "produce a report/prospectus (decision support), including a realistic budget, sketches/suggestions for placement and design of Homo Colossus on the KTH Campus etc.". The idea is that our project will result in a proposal for building a (temporary) huge statue on the KTH campus that is a visualisation of the average Swede's "energy footprint".

I will personally do the major part of the work in the project but that the other three members of the project (Mario Romero, Per Hasselberg and Åsa Andersson Broms) will function as a reference group/steering committee for the project (e.g. for me). We will meet regularly (once per month?) during 2019 and I will work with small fact-finding missions in-between these meetings.

This project will give me the chance to work practically with ideas (about "Homo Colossus") that I incorporated into my education three years ago.

Comment: This blog post was written at a later point in time and has been back-dated.
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torsdag 4 oktober 2018

The Futures of Computing and Wisdom (workshop)

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I recently (September 29) organised a (Design Fiction) workshop, "The Futures of Computing and Wisdom" at the NordiCHI 2018 conference in Oslo together with Elina Eriksson (KTH), Rob Comber (KTH), Ben Kirman (York, UK) and Oliver Bates (Lancaster, UK). Here's a summary (from the workshop Call):

There has been an increasing interest in discussing the consequences of the technologies we invent and study in HCI research, including non-technical dimensions (societal, ethical, normative) (Mankoff et al. 2013, Pargman et al. 2017). This is also apparent in the surge of interest in Design Fiction during the last 10 years (Bleecker 2009, Tanenbaum et al. 2013, Dunne and Raby 2013). Design Fictions have traditionally emphasised near-future developments, implications and consequences, but what about developments that lie one or several decades into the future? If we want to think about and discuss how computing will affect and change society decades from now, the focus cannot be on the technology itself but rather on other types of question.

This workshop will invite participants to a dialogue on the futures of computing and wisdom. Wisdom relates to the dominant paradigms of knowledge, and elucidates what might be considered responsible and wise, and why. Through collaborative imagining, we will draw attention to the consequences of the technologies we invent and study in HCI, including non-technical dimensions (societal, ethical, normative). Deploying methods from Design Fiction we will project and reflect on the future of wise computing for 2068. Extending from the near-future projects of Design Fiction, we will deploy fictional abstracts to examine how computing, through future and imagined technologies and research on HCI, AI, IoT, and related studies on Big Data and Smart Technologies, will create, question, and reinforce ways of knowing, doing and living.

What workshop participants did not know until they showed up is that the workshop had a back story. "Futures", The journal of policy, planning and futures studies celebrates its 50th anniversary this year with no less than three special issues. The theme of one of these special issues is "Wise Futures" and the editors invite submissions in the form of "dialogues on the futures of wisdom, i.e. what might be considered responsible and wise in 2068, and why". The editors of the special issue more specifically ask for contributions in the form of "structured reports on conversations", so we planned and organised a "conversation" on wisdom in the form of a conference workshop! We hope to be able to submit something to the special issue (the deadline is December 31) but us organisers first have to discuss how, since there is uncertainty about the genre "structured reports on conversations". None of us have worked with, or indeed even seen such reports before.

To participate in the workshop, prospective participants had to submit a fictional abstract, i.e. an abstract of a scientific paper that will be written 50 years from now. Fictional abstracts is a new genre too, but we published some helpful guidelines for how to create compelling fictional abstracts on the workshop webpage to help prospective participants with their contributions. Since the submitted abstracts oftentimes were the participants' first attempt at a fictional abstract, we reviewed and gave feedback to almost all submissions and encouraged participants to rewrite their abstracts. The two exceptions were the abstracts by Sus Lyckvi (Chalmers, Swe) and Britta Schulte (UCL, UK) which were great already when they were submitted. I publish both these abstracts below (with permission from the authors) as well as my own fictional abstract.

In the end there were nine contributions (three more had, for various reasons, unfortunately been withdrawn before the workshop) and ten persons showed up to the workshop (including workshop organisers Daniel, Elina and Ben). The workshop itself was a success - time flew as 90 minute sessions felt like they came to an end in the blink of an eye. I have to say that it was the best workshop I have ever organised and possibly the best I have attended too. We took copious notes and also recorded parts of the workshop, but have not yet started to look at the material collected.

The topic was tough; the year 2068 is far into the future, "wisdom" is elusive and the connection to computers/human-computer interaction is not necessarily obvious. It still felt like we managed to make headway and had we had some great discussions on the way.

As to the nine contributions, most fit the "Beware!" category where they warned about unwise futures. That might be in the nature of writing up an abstract for a scientific paper; you first have to identify a problem and then go on and try to solve it. Only a handful of papers were in the "Rejoice!" category. Mine was one, but I was sorry to learn that my abstract was a bit too convoluted - I had been overly "clever" when I wrote it and some of the finer (but central!) nuances were apparently hard to understand. It might be that that is the case for each fictional abstract. I have the distinct feeling that abstract authors could talk endlessly about about their abstract and the work that went into creating it, while the reader would need to read the abstract more than once to understand even half of it. You do have the chance to do that though; below are three of the nine abstracts, Sus Lyckvi's "Be All In or Get All Out: Exploring Options for CAI-Workers and CAI-Technology", Britta Schulte's "DEO ex Machina: a new Framework for Virtual Agents in Automated Elderly Care Provision" and my own "Dark Patches Creator Personas".

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Be All In or Get All Out: Exploring Options for CAI-Workers and CAI-Technology

Sus Lyckvi (Chalmers University of Technology, Sweden)

Collaborative AIs (CAIs) provide the combination of human creativity, empathy and intuition with extensive computational power and information access. Since the late 2020ies CAI-technology has advanced many research fields [2036-1, 2036-2, 2038, 2042], but it has also been misused, most notably during the First Panic [2050]. But – whereas there is a vivid discussion on the consequences of CAI-technology, little is said about the situation of CAI-workers, despite the fact that as many as 23.2 % of them are diagnosed with a personality disorders such as schizophrenia, bipolarity or depression [2065].

In this study we made deep-interviews with 152 CAI-workers, using the insights from this in 16 tech-trials with 48 of the interviewees. Our findings show that CAI-workers are effectively excluded from society not only physically – living in closed compounds due to corporate data protection policies – but also due to the public’s attitude towards them: anger over lost jobs, envy from rejects, and the very common fear that CAIs are the last step towards fully sentient AIs [2064]. Further, there are issues of self-image, being superhuman whilst working [2059] vs significantly less able off-duty. In effect, CAI-workers are at the same time their employer’s most valuable asset, and its slaves, contained and deprived of normal cognitive abilities. Accordingly, the tech trials indicated that prolonged CAI-state was highly favorable.

Consequently, we argue that it is time to discuss the future of CAI-technology – should it be abandoned entirely or taken further by allowing perpetual CAI-state, in effect nurturing a new type of humans?

Timeline(1)

2036-1 Stavros Gkouskos,“I Saw Your Grand-grand-son Graduate”: Using CAI Gossip Algorithms to Increase the Mental Well-being of Elderly Patients, Proceedings of the 2036 CHI Conference on Human Factors in Computing System, (CHI’36), ACM Press
  
2036-2 Nicholas Wang, Solving Traffic-Flow Issues for Shared Autonomous Transportation, PhD- thesis for the degree of Doctor of Technology, Chalmers University of Technology 3036

2038 Barake Kansas Henry & Ireli Lyckvi, Two CAIs vs. 500 Million Sick: How We Found Patient Zero. Morgan Kaufmann Bonniers, 3038

2042 Eira Lundgren & Conor McCloud, Ensuring the Democratic Process in the Scot-Scandi Election Using CAI Technology on Citizen Input. International Journal of Interaction Design, Vol 20, Issue 2, March 2042, Springer.

2050 Eira Lundgren & Ireli Lyckvi, The Panic in 2049 – how thwarted gossip algorithms broke the West US, Random O’Reilly 2050.

2059 Charlotte Heath, Amping up information retrieval and system control with a new generation of CAIs. IEEE Transactions on CAIs and Learning Systems, Vol 11, Issue 12, December 2052

2064 Rosie Picard & Charles Francis Xavier, We Are Afraid We Can’t Do That – On Limiting Neural Connections Between CAI-Humans And Their Computer Counterpart. Science, Volume 545, Issue 8705, August 3, 2064, AAAS

2065 Elora Björk & Jari Holopainen “Lesser Than I Used To Be” On the Mental Health of CAI- workers. Proceedings of the 21st International Conference on Exo-Applications and Technology 2065 (EAT ’65), Springer

(1) Due to the rapid development of the fields of CAI-technology, Exo-applications and Brain-Computer Interaction, references are typically made to the publication year of a paper, rather than the author(s).

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DEO ex Machina: a new Framework for Virtual Agents in Automated Elderly Care Provision

Britta F. Schulte, University College London (UK)

Recent years have seen an increase of technologies that build on interaction between virtual agents and humans (VHI). While the adoption has been successful in many areas such as production and education, other areas - specifically elderly care - show a lack of engagement. Age seems to be a defining factor as users are not used to the technology and do not benefit from its full potential. Recent updates of the virtual agents (VA) technology specifically for the sector, aesthetic adaptions or new interfaces did not seem to have made a significant change in the area

In this paper we present an analysis of interaction logs gathered in a care home equipped with VAs throughout. Contrary to common beliefs the interaction does not break down on the side of the VA, but on the human side as people reject, misinterpret or ignore the well- intentioned suggestions of the VA. Following these insights, we present a new framework to support interactions: DEO. We propose the three steps: DISPENSE and log how the human responds, EDUCATE the human of the insights he is lacking to make the necessary changes and OVERWRITE his decisions, should he repeatedly decide not to follow them. We give detailed instructions on how to best implement each step based on our results. We argue that these steps will lead to increased adherence to the suggestions by VAs even by the elderly population, thereby making the technology accessible to a wider audience



Author Keywords: Design fiction; elderly care; virtual human interaction.

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Dark Patches Creator Personas

Daniel Sapiens Pargman, KTH Royal Institute of Technology (SWE) and Wise Person, Vienna Institute for the Betterment of Humanity (East Germania)

Dark patches have become an increasingly large problem on the Internet as of late. Their noxious effects are well known; they create pockets and corridors for illegal high-frequency communication and transactions and widen the market for dark hardware. While not in direct conflict with the 2036 global Computing Backwards Compatibility Act, their existence undermine or come into direct conflict with social equity and they directly clash with the UN Global Development Goal #17, “An affordable Internet for all”.

While much technical research has tried to find algorithmic solutions to the problem of dark patches, little is known of drivers behind their creation. We here present the results of a large-scale study of the dark patch DIY hackers and programmers-for-hire in three European countries. Besides the results of the study itself, we also present five fictive dark patch creator personas (”psychological profiles”).

Since we nowadays take the equitable sharing of limited resources such as the Internet for granted, we have to be all the more vigilant when various kinds of deviants and perverts try to appropriate more than their fair share of The Commons. In that vein, we end the paper with suggestion for future work that will help crime and counter-terrorism agencies in their work of understanding, identifying and apprehending dark patch creators. This works should be seen as a complement to more technically oriented measures of identifying and neutralizing dark patch code.

Author Keywords: Dark patches; Human-Computer Interaction, personas, computer security, counterterrorism.
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torsdag 10 maj 2018

Homo Colossus In Real Life

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KTH Sustainability Office award money for small (maximum 100 000 SEK, maximum 1 year) interdisciplinary projects, "Environment and sustainability without boundaries"

I handed in an application there a few minutes before the May 2 deadline, "Homo Colossus In Real Life (HC-IRL)", together with co-applicants Mario Romero (Associate professor in Human-Computer Interaction with focus on Interactive Computer Graphics & Visualization), Jonas Åkerman (environmental researcher and one of Sweden's premier researchers on GHG emissions in general and emissions from air travel in particular) and Per Hasselberg (Konstfrämjandet/People's Movements for Art Promotion).

I have written about Homo Colossus several times on the blog before (November 2016, again in November 2016 and in December 2017) so instead of explaining what that concept means, I just paste the short project description below (where I explain what the concept means).

The project is basically a fact-finding mission where I will do the brunt of the work and then have monthly meetings with a "steering committee" (the co-applicants that are listed above). The fact-finding mission would run from Q3 2018 (September) to the end of Q1 2019 (March). The last quarter of the next academic year (Q4 2019) would be reserved for compiling and drawing resources together to produce a report/prospectus (decision support), including a realistic budget, sketches/suggestions for placement and design of Homo Colossus on the KTH Campus etc. This report would be handed over to KTH and the best-case scenario is that KTH would then decide to go ahead and build Homo Colossus - in all its might - somewhere on campus. As part of the report, we also plan to either produce a 20-second 3-D previsualization OR produce sketches that will help external actors (e.g. KTH decision makers) visualise what a finished Homo Colossus could look like.

I will get to know if this application has been granted or not sometime in June.

Project description

HC-IRL is a prestudy for a larger science and art project, ”Homo Colossus” (Catton 1986, Catton 1987). A human being who weighs 70 kilos needs to eat food with an energy content of less than 2000 kcal per day (a bit more than 2 kWh/day), but is easy for a Swede to use 50 to 100 times more energy in his or her everyday life. So how large would the average Swede be if he or she was colossal and had to eat as much food/energy as we use in our everyday lives? The answer is that the average Swede would be around 12 meters tall and weigh around 25 000 kilos. 

The purpose of the project ”Homo Colossus” is to build a replica of a colossal human being  and (for a limited period of time) place it on the KTH campus. The purpose of this prestudy, ”HC-IRL” is to produce information that supports a KTH decision about whether to go ahead with actually building such a replica or not. We here assume that KTH, should it go ahead and decide to build Homo Colossus on the KTH campus, will pay for the costs, but we will also as part of this application keep an eye on the possibilities of finding supplemental external funding (from a foundation, etc.).

The prestudy will partly examine practical aspects of building Homo Colossus (shape, pose (standing, sitting, etc.), appearance, materials, weight, cost/budget, etc.) and partly investigating administrative and practical obstacles/possibilities for building a Homo Colossus on the KTH Campus (location, permissions, security issues etc.). We will also contact artists to open up discussions about feasibility and implementation of the project. We have to that effect ”recruited” Per Hasselberg from the People's Movements for Art Promotion (Konstfrämjandet) for this application and he will partake in the project/prestudy as well as act as a door opener to researchers, teachers and artists who work with public art at the The Royal Institute of Art (Kungliga Konsthögskolan/Mejan – for example Åsa Andersson Broms, artist and Senior Lecturer in Fine Art) and elsewhere.

KTH is also at the cusp of starting up a center for Art, Technology and Design (KTD) that we would furthermore like to cooperate with. There is a distinct possibility that the first director of the center will be main applicant Pargman’s current colleague, Professor of Media Technology/Sound and Music Computing researcher Roberto Bresin who is informed about this application. Another potential informant/partner is Programme Director Federico Favero at KTH Architecture/Architectural Lighting and Design. While contacts have been initiated also with other KTH researchers, we here only apply for money for the main applicant and the co-applicants previously listed.

- Catton, W. R. (1986). Homo colossus and the technological turn‐around. Sociological Spectrum, 6(2), 121-147. 
- Catton, W. R. (1987). The world's most polymorphic species: Carrying capacity transgressed in two ways. BioScience, 37(6), 413-419.

söndag 6 maj 2018

Circular thinking in sustainable HCI (workshop)

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My previous blog post was about a workshop proposal for the upcoming NordiCHI conference, but I'm also part of another workshop proposal for that conference, "Circular thinking in sustainable HCI: Revisiting the link between invention and disposal". This proposal was spearheaded by Maja van der Velden from the University of Oslo and the workshop is organised together with Alma Leora Culén, Elina Eriksson, Daniel Pargman, Oliver Bates and Miquel Ballester.

Both Maja and Oliver participated in our sustainability-themed NordiCHI 2016 workshop and we have discussed the possibility of putting together a workshop for NordiCHI 2018 workshop of quite some time, but it was only at the very end that things actually happened. When Maja took charge, the workshop also changed focused to closer align with her specific research interests.

The aim of the workshop is thus to explore circularity as a principle of sustainable HCI. Every new invention should integrate its own disposal - where disposal can mean recycling, reuse, repair, redistribution, remanufacture or refurbishment, forming the basis for a range of design approaches such as design for repair/repairability, design for recyclability and design for circularity.

The (full-day) workshop is divided into four phases: a show and tell session where participants present and discuss "an object or material that represent their work in sustainable HCI", a mapping session, an exploratory design session and finally a session where we critically reflect on circularity.


Circular thinking in sustainable HCI: Revisiting the link between invention and disposal

Organisers
Maja van der Velden, University of Oslo
Alma Leora Culén, University of Oslo
Elina Eriksson, KTH Royal Institute of Technology, Sweden 
Daniel Pargman, KTH Royal Institute of Technology, Sweden 
Oliver Bates, Lancaster University, UK
Miquel Ballester, Fairphone

“Circularity is the next big thing in design”, they say, but in what way can circularity contribute to sustainable HCI? In this workshop we will critically engage with the different aspects, applications, and implications of circularity or critical thinking and ask: Is circularity a principle of sustainable HCI? In order to answer this question, the workshop combines a variety of methods, based on a Research through Design approach. The starting points for this exploration are the artefacts that the workshop participants present in a ‘show and tell’ session. The artefacts represent both the participants’ work or interest in sustainable HCI, as well as things to talk about or think with when talking about circularity. Through two more exploratory sessions, we will give form and shape to what circular thinking can contribute to sustainable HCI. In the final session of the workshop we will map our findings on the most iconic digital device of our time, the mobile phone. Taking a life cycle perspective, we will look into redesigning our own mobile phones into a circular device. Because of the central role of design in the social and environmental sustainability of products and services, we will end our workshop with a final question: who and what will benefit from this re-design?

Keywords: Circular Design, Circular Service, Life Cycle Thinking, Mobile Phones, Sustainable HCI, Sustainable ICT, Sustainability, Sustainable Interaction Design, Green IT, UN Sustainable Development Goals

torsdag 3 maj 2018

The Futures of Computing and Wisdom (workshop)

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I recently submitted a workshop proposal to the upcoming NordiCHI conference, "The Futures of Computing and Wisdom", together with Elina Eriksson, Rob Comber, Ben Kirman and Oliver Bates (besides the article I submitted to NordiCHI two weeks earlier). Me and Elina have organised workshops at at the previous two NordiCHI conferences (2014 in Helsinki and 2016 in Gothenburg). This workshop is however not a workshop about sustainability, but rather a workshop about Design Fiction (and Futures Studies). As such, it niftily connects to the NordiCHI Future Scenarios track. From our application:

This workshop is also designed to complement the Future Scenarios track at NordiCHI (and shares an organiser). That unique track already brings speculation and design fiction to the NordiCHI conference, and this workshop will complement the track by providing a full day for exploring design fiction in shorter formats (abstracts rather than scenarios) and applying this process collaboratively on the focused topic of wisdom.

The background to the workshop theme and the thing that set Elina and me in motion is a call for an upcoming special issue on "Wise Futures" in the journal "Futures". If the conversations at the workshop are riveting enough, we will most probably aim for writing a "structured report on conversations" for that special issue.

The turn-around time is impressively short, the workshop submission deadline was May 2 and we will know already on May 14 if we will get the opportunity to organise this workshop. If we do get that opportunity, we then need to have a workshop webpage up and running already on May 28.

Below is the workshop abstract - which should not be confused with the (coming) call for participation. The abstract is rather a summary of the longer workshop description (proposal) and it will primarily be used in the process of selecting a good mix of workshops that will be held at the conference. The NordiCHI workshops will be held on September 29 and 30 and the main conference will then be held between October 1-3.

The Futures of Computing and Wisdom

Organisers
Daniel Pargman, KTH Royal Institute of Technology, Sweden 
Elina Eriksson, KTH Royal Institute of Technology, Sweden 
Rob Comber, KTH Royal Institute of Technology, Sweden 
Ben Kirman, University of York, UK
Oliver Bates, Lancaster University, UK

This workshop invites participants to a dialogue on the futures of computing and wisdom. Wisdom relates to the dominant paradigms of knowledge, and elucidates what might be considered responsible and wise, and why. Through collaborative imagining, we will draw attention to the consequences of the technologies we invent and study in HCI, including non-technical dimensions (societal, ethical, normative). Deploying methods from Design Fiction we will project and reflect on the future of wise computing for 2068. Extending from the near-future projects of Design Fiction, we will deploy fictional abstracts to examine how computing, through HCI, AI, IoT, and related studies on Big Data and Smart Technologies, will create, question, and reinforce ways of knowing, doing and living.

The workshop aims to develop a cohort of perspectives on the futures of computing and/for wisdom and to critically reflect on the assumptions, methods, and tools for enabling (and disabling) such futures.

To apply to the workshop, attendees will submit a fictional abstract - an abstract from a research paper yet to be written. We will then share these fictive abstracts, and, through peer reflection, unpick critical tensions in the advancement of computing over the next decades. By focusing on an end goal (“wisdom”) instead of on particular technologies in the present (machine learning, IoT etc.), we open up for discussions of what future(s) we want computing to support, what needs to happen for us to “end up” in certain futures rather than others, and what needs to be done in the present and in the near future to maximize the potential for our work to contribute to the creation of desirable rather than undesirable futures.

Keywords: wisdom, design fiction, fictional abstracts, ethics, sustainability, politics, justice, social action, social change